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Guitars, Bass, Keys
Heads:
- Marshall Valvestate AVT 2000
- Peavey Supreme XL
- Mesa Boogie .50 Caliber +
- Ampeg Model V-4
- SWR RedHead with Triad Cab
- Line 6 Spider Valve 212
- Alesis SUMO 300
- Crate Acoustic
Guitars, Bass:
- Gibson Les Paul - Slash Edition
- Fender Strat Squire
- Martin Acoustic/Electric
- Ibanez Iceman
- OLP Bass
- LTD Viper-400
- Parker Hornet
- Epiphone Gibson Special
- Rickenbacker 4003 Jet Glo
Keys:
- Korg Triton Studio Workstation
- Kurzweil K2500s
- M-Audio Axiom 61 MIDI Controller
| Inboard/Outboard Gear
Ins:
- Mackie 32-8 with expansion 24 board
- Digimax FS 8 Channel
- Focusrite ISA 828
- Digidesign Pro Tools HD Accel HD2
- Digidesign Pro Tools 003 Console
- MOTU MIDI I/O MTP AV
Monitors:
- Yamaha NS-10M
- Mackie HR824
- Mackie Big Knob
FX, DI, Comp, EQ, Etc:
- Apple Mac G4
- Apple Mac G5
- Apple Mac Pro 8 Core 16 GB Ram
- Custom Recording PC
- Avalon U5 Pair
- Focusrite Liquid Channel
- Digidesign 192 I/O
- Focusrite ISA 828
- Art Pro Tube
- Art MPA Pro
- Radial J48
- Radial JDI
- FMR Audio RNC Compressor
- Presonus DIGITUBE Mic Pre
- Presonus Eureka Mic Pre
- TC Helicon Voiceworks Plus
- Lexicon MX400
- Digitech Studio Quad 4
- TC Electronic M300
- Digitech RDS8000 Delay
- Digitech GSP 21
- BBE 362 Sonic Maximizer
- Line 6 Bass POD
- Squeez Compressor
- DBX 1231 EQ's
| Mics, Drums, PA
Mics:
- AKG Perception 400
- AKG C1000s's
- AKG D112
- Blue Bluebird
- Cascade Fat Head II
- Karma K-10's
- Karma K-35
- Karma K-Micro Silver Bullet's
- MXL 990
- MXL 991
- Sennheiser E-604's
- Shure PG-58
- Shure SM-57's
Drums:
- Gretch Kit Mid 70's
- 13,14,18,24
- Rogers Kit Mid 70's
- 13, 14, 16, 20
Snares:
- 14" Gretch
- 14" Rogers
- 14" Ludwig
Cymbals:
- Sabien AAX 14" Stage Hats
- Zildjian Avedis 18" Rock Crash
- Zildjian Avedis 19" Rock Crash
- Zildjian 18" Medium Ride
- Zildjian Avedis 20" Ride
- Zildjian 12" Splash
PA:
- Peavey SP-4 Speakers
- Crate 150W Head
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All Guitars, Basses and Keys are available upon request. Most guitarists and bassists will inevitably be attached to their own equipment. Rightfully so. We feel the same way. | With the ability two bring in so many live tracks at once, scratch or ghost tracks become a fluid and fun part of the recording process. Adding effects and getting tone is always a highlight of late-night sessions. | It took a great deal of effort to narrow drum selection to two kits. As always, drummers are free to use whats here or bring their own kit and cymbals for the recording. We strive for the best possible recording and the best possible sounds but with the least bit of inconvenience. |
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ROOMS
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